A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.

Despite having just 40,000 residents and limited financial resources, the Schwäbisch Hall Unicorns have been able to compete at the highest level of football in all of Europe. But as more money floods into the sport, coaches and fans must face the question: has this team become a relic of the past or can their remarkable culture propel them beyond the constraints of reality?

Six inner city orphans find themselves out of their element and immersed deep into the heart of nature. Beyond the constructs of society a new reality emerges and a bigger universe is revealed. But are their guides really there to help them grow or do they have alternative motivations? The deeper into the wild they go, the more they learn, and the greater the danger they are walking into. It will take all they have to pull together, discover who they are, and get home alive.

A university student and some classmates are recruited to carry out a private experiment — to create a poltergeist. Their subject: an alluring, but dangerously disturbed young woman. Their quest: to explore the dark energy that her damaged psyche might manifest. As the experiment unravels along with their sanity, the rogue PHD students, led by their determined professor, are soon confronted with a terrifying reality: they have triggered an unspeakable force with a power beyond all explanation.

After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.

After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

A young girl and her family go through a horrifying reality while she becomes possessed by demonic forces. Throughout the film we experience the ways a family deals with situations beyond their control and how they fight to overcome them. Only when the possession takes place does the family bond get stronger and the relationships between them get tested to their limits.

The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson, a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don’t know why, people for whom life holds no easy answers.

Imagine an insatiable demon that feeds on blood, thrives on pain, and reaches from beyond the grave to torment the living…and the dead. For believers and skeptics alike, there is nothing in this world or the next to rival the relentless evil of a Voodoo Possession. Burdened since childhood with a gnawing sense of guilt, cynical Aiden Chase journeys to a Haitian insane asylum in search of his missing brother. Upon arriving, he discovers all the inmates and the hospital administrator (Danny Trejo, Machete) are seemingly possessed by a bloodthirsty voodoo spirit. Now, Aiden must abandon reality and descend into a terrifying spirit world to try to rescue his brother – or they will both be damned for eternity.

Fresh off ripping space-time a new one at the end of “Bender’s Big Score,” the Planet Express crew is back to mend the tear in reality, or (hopefully) at least not make it worse. Beyond the tear, though, lurks a being of inconceivable…tentacularity. What will become of Earth, and indeed, our universe, when faced with the Beast with a Billion Backs?

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Nuclear Family begins the story of a young couple, John and Lynn, who are trying to survive in the woods after what appears to be a nuclear holocaust. They stay on the move with their 11-year-old daughter, Pauline… all the while searching for their missing 8-year-old son, Grant. Meanwhile, present society has disintegrated, and the family must stay one step ahead of the Berserkers: lawless, wild, brutal men who rape,pillage and destroy as a way of life. Shot as a pilot presentation for a TV series the story will take this family, and the others they meet along the way in their search for Grant and to avoid the Berserkers, to discoveries beyond the existing reality. Written by Clay Keeley Executive Producer

Mathieu Roy’s L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man’s health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist’s translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.

Two extreme sports athletes (Lorenzo Richelmy, Marco Polo and Ludovic Hughes) enter a mysterious contest in the hopes of winning the cash prize. They soon come to learn that the game is a dangerous cross between an evil reality show and a frightening ritual which will push them beyond the limits of extreme.